Two DN films in DOKLeipzig, Germany
Violeta Mora´s graduation film Oscurana will be presented in the International Documentary Competition, and Tianji Yu’s documentary short Ping Pong will be screened in the Animated Film International Competition at the 68th edition of the International Leipzig Festival for Documentary and Animated Film held from October 27 to November 2.
By Violeta Mora (Honduras) • 21’ • 2025
Synopsis:
The dazzling sun hangs in the sky, but while it slowly sinks, a cacophony of unknown voices and sounds spreads across the horizon. “The darkness is coming like a smoke that expands,” the director comments in voice-over, and takes us deeper into the night, on the path risked by many migrants from Central America: on foot, through dangerous landscapes, with an uncertain outcome.
In her immersive short film, Violeta Mora brings this path to life. A shaky handheld camera follows heavy footsteps, we hear the fugitives’ breath and the sounds of animals. The flash-streaked blackness is full of scraps of desperate conversations and calls for help, while the sense of threat keeps mounting. A film that does not seek to explain but allows us to feel tangibly and directly what it means to cross a border – in hopes of a better life.
Seggen Mikael, in DOKLeipzig catalogue
By Tianji Yu (China) • 15’ • 2025
Synopsis:
The film opens with the obvious: The problem of the AI’s lack of physicality – it cannot play ping pong with director Tianji Yu. But would it be conceivable for Yu to arrange to play ping pong with a former friend and playmate who now votes for Trump? Do his political otherness and physical absence make this friend as immaterial as the AI? Is this absence insurmountable – both the AI’s and the friend’s?
A ping pong conversation evolves during which the director’s deep memories and honest reflections turn the superficial and banal AI into an actual surrogate partner. A partner that enables a slow rapprochement to the lost friendship and triggers reflections about humans as political beings. The artificiality of the AI is unpeeled layer by layer. Yu visually stimulates us to penetrate to the core of things through the poetically captivating layers of the visual design as we start with documentary footage alienated by a distorting mirror and transition to a moving painting of simple, semi-realistic 3D animations that unfold as if behind a brushstroke filter.
Irina Rubina, in DOKLeipzig catalogue
